Brady Rymer

I hadn't heard too much of Brady Rymer prior to hearing a preview song ("Road Trip") from his newest album, but once I heard that, I knew I had to hear more. I was about to request a copy of Here Comes Brady Rymer and the Little Band That Could when it showed up in my mailbox. I like when that happens... I've listened to the whole album a few times now and each time it's put a really big smile on my face and always inspired me to want to sing and dance along. Of course, my dancing is dangerous enough, but especially dangerous when I'm driving, which is usually when I'm listening to music... so I've just opted for the singing along part, and reduced the dancing along to some head bobbing and such.

Here Comes... is nothing but gems. Of all 13 tracks, there's only one that I don't really love ("Get Back Home"), and even that one I still kind of like alright. The album starts with a self-referential "here we are, kids" kind of track plugging Brady's Little Band That Could. There are a lot of tracks of this type that I've heard on kids' albums over the years where the band or artist introduces themselves with the first song (the Hipwaders' first album leadoff track comes quickly to mind as one of my favorites), but sometimes they can wear out their welcome if they're any longer than the average TV theme song. This is one of the few ones I can think of that works very well as a full three and a half minute song, with a catchy hook and some nice chord changes in the bridge that keep it all chugging along nicely.

The aforementioned "Road Trip" is next and it's just a flat out showstopper. In my interview with Ralph Covert, he talked about the "vocabulary of rock and roll", and this whole album and the "Road Trip" song in particular shows that Brady is obviously very fluent in that language. He may not be charting any new territory... you can hear him going where Bruce Springsteen and Bob Seger and others have gone before... but he's not merely retreading it, either. It all sounds very fresh and he definitely embodies the music completely.

The third track is "Jump Up (It's a Good Day)" and it's the catchiest tune of the set (which is saying a lot, as there are many good hooks throughout the album). If you're ever feeling grumpy, just put on this album, and if you're not feeling bouncier than a Tigger after the first two songs, you will be once this track hits. In Brady's previous life, he fronted the jam rock band, From Good Homes, who opened for Bob Dylan and Dave Mathews and other big name acts (I saw them open for Bob Weir's Ratdog band in Buffalo back in the mid-90's), and that kind of infectious rhythm and blues jam rock thing really shines through on this one.

Other standouts for me include "It Was a Saturday Night", which combines several different 70's rock styles into yet another great song; "One True You", a pretty anthem about why kids look and act the way they do in relation to their family (I really like how the song starts with "I see your Mom in you, I see your Dad in you, etc." and then goes to "I see faith in you, I see joy in you, etc."); "Again", another very catchy and upbeat tune that uses a false ending to great effect; and "Good Night, Daisy", as beautiful a lullaby as I've ever heard, and a song I've played several times in a row just to get lost in its magnificent elegance.

Brady's vocals are a little twangy and he sounds sort of like Lyle Lovett at times. It's a unique voice for the kids' music genre, and he certainly has the chops for pulling off these songs with the right phrasing and attitude. His "little band" is really great, too... always serving the song and coloring everything vibrantly throughout.

I'm going to have to remain noncommital about Brady Rymer's previous albums until I hear more of them, but there's no doubt that Here Comes Brady Rymer and the Little Band That Could is a real treat and worth hearing again and again. Just be careful dancing while you're driving, please.

Brady Rymer's website

Loquat Rooftop (Randy Kaplan)

Randy Kaplan's debut kids' album, Five Cent Piece, was one of the coolest totally out-of-left-field things I've discovered since doing this blog. In essence, Randy is the Arlo Guthrie of children's music, and while the obvious comparison to Arlo Guthrie makes Randy's general approach a little less than unique, Randy always adds much of his own originality and personality and style and humor into that approach, and I can't imagine anyone else doing that kind of thing as well as Randy does for a kids audience. In fact, hearing Randy spin more of his hilarious yarns on his terrific new CD, Loquat Rooftop, I can't help but think that perhaps time is running backwards and the references should be the other way around... Maybe Arlo Guthrie should really be called "the Randy Kaplan of storytelling songs for adults". The spirit and humor and style of that approach is always designed to tickle the fancy of the kid inside us... it's just a question of the subject matter involved as to what the audience's age range will be.

Like its predecessor, Loquat Rooftop includes some originals and some covers. The covers include similar Tin Pan Alley and classic rock 'n' roll fare as the covers on Five Cent Piece (and one particular gem, the Randy-fied "Clothes Dryer"), but a significant thing about this new album is that the originals are the real standouts this time around. With Five Cent Piece, I liked Randy's originals, especially "Shampoo Me", but they were all, well, a little weird. Likably weird, but weird, nonetheless. There's still some real strangeness to the originals on Loquat Rooftop like "No Nothing" (featuring a monkey named Kxchc, who was raised by ducks) and "The Ladybug Without Spots" (who solves that problem by having watermelon seeds glued to her back), but there's an effusive charm that shines through each of them. The feeling of enjoyment is always first and foremost with these originals, as opposed to the Five Cent Piece originals, where I enjoyed them, but only in spite of them all being a little strange. And some of the new originals are more straightforward sounding and are quite beautiful, like the title track (the melody of which reminds me a lot of a song that I'm not sure I've ever heard before), "(Don't Say) Anything At All" (I love how he demonstrates what he's talking about with his little kid voices between the verses) and "Gotta Get Gone", the bluesy closing number.

A great thing about Randy is that he is not afraid to be downright silly with his voices and jokes when he knows that will serve the material and the intended audience. And by the intended audience, I don't just mean kids... adults eat up well-crafted goofiness, too (Monty Python, Steve Martin during his standup career, the Airplane!/Naked Gun movies, etc.). Certainly, this adult and his wife have laughed out loud many times while listening to this album. Some things like "The Sour Song" are kind of one-time laughs, as brilliant as they are, but other things are funny again and again, and Randy's eloquently witty wordplay and vocal phrasing is always a joy to listen to. He has a real knack for comedy and entertaining through his music, and I can't wait to hear what he'll come up with next.

Buy Loquat Rooftop on CDBaby

New releases and upcoming interviews...

So this seems to be the season for new kids' music CD releases... Several of my favorite artists who I've already covered here have recently released new albums, or are about to release their new CDs. (I'm glad I'm not releasing my new album right now... Whew!)

I've been listening to a lot of these CDs on the road recently, and I hope to be able to cover each of them at some point, at least in capsule reviews if not something more in depth... But for now I'm going to just list them below and let you check them out from the links. Also, there are several other new CDs that I've received and will have to add to my ever-growing "hope to cover here at some point" list, including Brady Rymer, Gunnar Madsen, Mr. Eric, Recess Monkey and others.

Also, I have some cool interviews coming up with some people I've met up with on my recent travels, including Frances England, Gunnar Madsen, Tito of the Hipwaders and Gwendolyn and Brandon from Gwendolyn and the Good Time Gang. I'll begin transcribing our conversations in May and will post those as soon as possible.

New CDs recently or soon-to-be released...

Randy Kaplan - Loquat Rooftop

Daddy a Go Go - Rock of All Ages

Ralph's World - The Rhyming Circus

Eric Ode - When You Smile

Justin Roberts - Pop Fly

Mr. Billy - Six Leg Songs

Frances England - Family Tree

They Might Be Giants - Here Come the 123s

Also, Ginger Hendrix had a major new release recently... a baby girl.

Travelblogue

I've never really used my MySpace page for anything... the interface is very difficult to work with and it's not really the most "kid safe" environment. So I put up some very basic info there and kind of left it at that for a while. To my dismay at times, people tried to contact me through there and I didn't get the message for several months because I just never logged in very often. Whoops!

But I was looking for somewhere to post a little travelogue for my family's travels for this tour I'm doing... I like how Monty Harper posts a little about each of his shows on his blog, and I realized it would be nice to be able to better remember some details about the different places we go and where I perform. So rather than start some new thing on LiveJournal or wherever, or taking up too much space on this blog when what I'm posting doesn't always relate to kids' music, I figured, eh, I might as well use the blog on the MySpace site I have. So if you'd like to see what I'm up to, go to my main MySpace page and click the link in the middle right of the page that says "View All Blog Entries", or click the individual entry links if you'd like.

Edit 4/29/08: I've now mirrored the travelblogue over at this Blogger address: http://ericherman.blogspot.com for those of you who don't want to deal with MySpace. Also, Blogger allows video posting, so I'll probably add some video clips to those posts now and then.

David Tobocman

If David Tobocman's I Count to Ten and other Very Helpful Songs album included the song, "Home", and several tracks of 80's hair-band B-sides performed by the TAO (Tuscalusah Armpit Orchestra), I would still have wanted to feature it here. "Home" is an incredibly touching song that makes me want to immediately run over and kiss my wife, hug my kids, pet my cat, not yell quite so much at my fish, and otherwise be extra grateful for the home and love that I feel blessed to have in my life. A piano ballad sounding something like Fastball singing "Desperado", the song alone is so heartwarming that it's almost heartburning, and the beautiful video created for it, with pictures by Valerie Walsh (see below), just takes it over the top into heartmelting territory. When listening to this song and watching the video, you may need to wear some protective shielding to prevent irreperable heat damage to your heart.

Thankfully, the rest of David's album is really great, too. I'm not sure that any of the other tracks are quite as earth-shatteringly awesome as "Home", but then again, the Stones never had a hit quite as big as "Satisfaction" and they still had a halfway decent career for a little while after that point, eh?

The album begins with "I Count to Ten", which sounds like a cross between "Stepping Out With My Baby" and "Hit the Road, Jack" and has a nice message about taking a break when you're feeling angry before acting out. "Jammies Song" is a folky pop song a la Jimmy Buffet, with some nice chord breaks. "Brush Your Teeth" is a funky soft shoe jazz with some slithery piano. "My Rainbow" is another beautiful ballad, more upbeat than "Home". The voice on "Favorite Son (Every Day)" doesn't quite match the music as I was hearing it... something more like Barry White or Marvin Gaye might have fit better for me... but it's pretty nice, regardless, and David does an admirable job rapping for a white guy with a beard. "Buttons and Bows" is a hilarious ditty directed at nudist toddlers who don't understand the importance of wearing clothes in public. "Gigi, My Pet Giraffe" has some sweet melody and reminds me a little of the phrasing choices that Ralph of Ralph's World sometimes uses. "Dreamin' the Dream" is a finger-snappin' jazz tune (there is no actual finger-snappin' on the recording, but you'll want to do that when listening... and maybe throw in some jazz hands, as well). The album closes with an exquisite acoustic guitar ballad called "To Love You", which provides more hugs for my girls, kisses for my wife and pets for my cat...

David has a pretty extensive list of credits of contributing music for TV shows (including That 70's Show, 3rd Rock from the Sun and Family Law), performing and engineering on a number of albums by artists including Adam Sandler, Liza Minelli, LL Cool J and Cher, and doing session work for the likes of Lou Reed, Diane Warren, the Beastie Boys, k.d. Lang and Luther Vandross. I Count to Ten is his first foray into creating music for children, but I hope he produces more kids' CDs because the world can always use more great music for kids and my wife and kids can always use more hugs and kisses. Not that I'm a slouch in that regard, by any means, as I'm sure they would attest to, but more is always better. :o)

David Tobocman's Very Helpful Songs website





For samples of all of the songs on I Count to Ten, go to this page on David's website.

Mr. Richard

Mr. Richard is a very popular kids' music performer from Florida who has released three CDs of music for kids. Last year, I received Richard's 2nd CD, Tummy Talk, and I enjoyed that, especially the first track, the title track, which has an incredibly catchy funky-bluesy guitar riff, a kickin' pre-chorus ("when your tummy starts talkin' a mile a minute, that's the time you know you gotta put something in it"), and an utterly infectious groove to it. It's an all-around terrific anthem to the noises your stomach can make when it's hungry and was an instant classic for me in the kids' music realm. In fact, I think I may have liked the whole album even better if I didn't keep comparing the rest of it to that first track, which was so hard to measure up to.

Fast forward ahead to this year when Richard's 3rd album, Polka Dot Puzzle, arrives in the mail. I was looking forward to checking it out, having already seen the great video for one of the songs, "Cheese" (see the video below), and the album definitely lived up to my hopes and is a terrific volume of kids' music with a lot of humor and musical fun.

Richard has a tremendous ability for generating catchy guitar riffs, and the jumpy acoustic opening figure on Polka Dot Puzzle's second track, "Treehouse", is a nice example of that. The emphasis on "E" in the chorus ("tree-E-house") is a little strange, but it's a good hook, nonetheless. "The Woo Woo Truck" is a very cool tune in the vein of The Violent Femmes, describing what to do when you hear a fire engine coming by.

"Bubble Bath" has an amazing squirrely funk riff and some nice horn licks as Richard adds a laundry list of the things you can make with the bubbles in your bath; a bubble beard, a bubble wig, etc. "Straw Slot", about a kid with a missing tooth, sounds like John Mellencamp meets the Byrds and has yet another catchy guitar riff and funny lines like "I look like Alfred E. Neuman when I smile".

The "Pots n' Pans" track is one that is probably more "appreciated" than "enjoyed", what with its Stomp-y clinging and clanging of actual pots and pans throughout, but it's a nice testament to the rhythmic and musical possibilities available all around you.

The song "Pooch Smooch" is a real blues-rock gem with some wonderfully distorted harmonica, and there's a fun video for that which you can see below. One quibble about the production of the song... There's a point in each chorus when there are kids screaming in reaction to the dog kissing them, but the screaming is a really loud, blood-curdling kind of screech that seems to imply the terror of "I fell into a pool of sharks with a big gash on my leg" and not "my dog just slobbered all over me... ewww, gross!"

"Butterfly Day" is a jangly pop tune sung along with Molly Ledford that reminds me of the great pop songs for kids that Roger Day produces. The album also begins and ends with "Hello, everybody" and "goodbye, everybody" tracks, which is something you hear now and then on kids' albums, but these are done very well and do invite you into the album and leave you feeling good at the end.

It wouldn't be right for me to cover Mr. Richard and keep it real without mentioning that, well... if he was a contestant on a show like American Kids Idol, the celebrity judge equivalent of Randy Jackson would probably be using the term "pitchy" quite a lot. But Mr. Richard has a similar vocal vibe to Barry Louis Polisar, where okay, his vocals aren't the most polished, but his vocal delivery is still very cool and just right in a way that sort of represents the spirit or voice of a kid.

It's time to go off on one of my tangents here... it's been a while... Thinking of the impact of the song "Tummy Talk" as the first track on that album, it brings to mind the importance of the track order on CDs and what a difficult decision that often is. I recall many years ago making an observation that a lot of albums from my favorite bands and artists seemed to have the big hit song as the 3rd or 4th track. I'm sure there are a million exceptions to that, but remembering that observation now I think the reasoning for that may be that if you always put that big first single as the first track on the album, then it might create an expectation for the album that is difficult to live up to. Also, a lot of times the hit single song might be a little poppier than the rest of the tracks on a rock album, or it might be a ballad on an album of otherwise upbeat songs, so if you put it first then there is a false sense of what the album and/or the artist is really about.

So with that thinking, the best track to put first is probably something that is cool and inviting and memorable and representative of the artist and the album, and makes you want to listen further, but isn't really the knock-out song that the first single is intended to be. By the time you reach that knock-out track at the 3rd or 4th slot, you're already hooked big-time and though the rest of the album still may not match up to that hit song, initially, at least... you're likely to appreciate it for what it is and will probably grow to love some of the other songs more than that big hit, once they get under your skin.

I'm not necesarily saying that Mr. Richard should have put the song "Tummy Talk" 3rd or 4th on his Tummy Talk album instead of 1st... Maybe it would have been better, from my point of view, at least... But he did what he felt was right for his album for his taste and for his fans and so that's fine. And certainly an argument can be made that people are fickle with what they listen to and if something doesn't really grab them right away, there goes your chance to grab them at all... in which case maybe your very best track should be the first one on the album. I should also admit that I am absolutely not an expert in this regard, having second-guessed the track order on three of my four kids' CDs and even resequencing one of them when reordering more copies after its second run. I can say that my next album feels just right in its track sequencing in terms of the flow that it has, and I think that may be the most important consideration, as opposed to thinking about what songs are the standouts and where they fall in the mix.

Anyway, just thought I'd share a few thoughts about that, since it came up... It may even become moot before too long as musical buying and listening habits seem to gravitate more and more towards the downloadable single, as opposed to the album. I hope that the album never dies entirely, though, as it is always nice to share a lengthier slice of musical time with a talented artist who has created a group of songs that work really well together... like, for example, Mr. Richard's Polka Dot Puzzle!

Mr. Richard's website

Buck Howdy

Buck Howdy is unique in the children's music world. Yes, there have been some good country-music styled kids' acts coming out in recent years, including Little Nashville, Farmer Jason and the Bummkin Band, but there hasn't really been a notable old-fashioned cowboy personality like Buck... at least not that I'm aware of.

Buck is nothing if not personality, and his aw shucks friendly uncle from Tennesee kind of voice pulls you right in and holds you captive throughout his CDs. It's a delivery that seems effortless in its charm but also sounds like the genuine article of a man who has spent many years rustling, wrangling, roping and other such things that cowboys do. I get the impression that Buck could tell a story about sorting coupons that would keep kids totally enthralled around a crackling campfire.

Speaking of campfires, Buck pays homage to some classic campfire fare with two of the songs on his second kids' album, Giddyup!, released in 2005. The CD opens with "S'mores", a fine fiddle-y ditty (see the video below), and the fourth track is "Baked Beans", which may be the best flatulence-related song ever (I propose a championship fight between that song and John Hadfield's "I Like Beans"). In "Baked Beans" you can just about hear Buck smiling and holding back his own laughter as he sings, and it really conveys the feeling that he's having as much fun performing the song as we are hearing it.

On the bouncy title track, Buck sings some cleverly silly lines like "I was going to a dance and I had to practice. Why oh why did I do it with a cactus?" and he gives a fun lesson for chasing the blues away by singing like animals on "Baa, Neigh, Cock-a-Doodle Doo". Giddyup! also features some prominent guest performers including Trout Fishing in America's Keith and Ezra providing backing vocals on "S'mores" and "Giddyup" and Laurie Berkner singing beautifully along with Buck on "Happy Trails". There is also one of the best parodies I've heard on a kids' album listed as the bonus track, but I don't know that I can give it away being that it's titled "Bonus Track". I really should have seen the chorus line coming, but it still made me laugh out loud when I first heard it.

Giddyup! was the first Buck Howdy album I'd heard (he also released Skidaddle! in 2002) and I was instantly a big fan. Buck released the follow-up, Chickens, last year, and in addition to more great songs, he also added a fine singer to his act (BB, pictured above). Chickens has a lot of what might be called "Western swing", with an almost jazzy feel to a number of the tracks. There's still a predominance of country to the sound, but there's a bounciness and arrangement to some of the tracks that emphasizes the "swing" as much as the "Western".

Chickens also has a lot of chickens. "Ain't Nobody Here but Us Chickens" is a winner and is so heavy on the swing that you might have expected Glenn Miller to have orchestrated it. The title track is a little bit unfortunate, though... It plays with expectations where it sounds like it's about a philandering husband but really he's just a farmer who loves taking care of his chickens. It's a clever turnaround and it's the type of innuendo that kids aren't going to get anyway, so it's no big deal in that sense. But the thing is, it's not a great subject for adults, either, with lines like "I buy ‘em food and give ‘em drinks, along with lots of lovin'. Then those girls lay out the treats by the dozens." Using distasteful imagery as some kind of metaphor or correlation still includes the distasteful imagery on the surface. So the song is enjoyable but for me it left a little bit of a bad taste in terms of the subject matter. Rounding out the chicken-related material on the album is the instrumental bonus track. You can probably guess what it is by my mention of "instrumental" and "chicken-related".

There are a lot of other great tracks on Chickens, including "Wiggle, Waggle, Wave", a super-swingy ode to friendly greetings; "Woulda, Coulda, Shoulda", a catchy, easy-going tune about doing things you're supposed to do before you regret the consequences; "I'm My Own Grandpa", Buck's engaging version of the old novelty hit about the ultimate family paradox; and "I Can't Imagine", a sweet ballad duet which really shows the complement of Buck and BB's voices.

Chickens was nominated for a Grammy last year and shows an interesting change from the more straightforward old-time country feel of his earlier albums, perhaps making it more accessible to a wider audience. With his great delivery and sense of humor, I'm intrigued to see what kind of yarns Buck will spin next around the campfire.

Buck Howdy website

My Lucky Day video

My wife, Roseann, did the animations for a new video in a Schoolhouse Rock kind of style and it turned out really nice. It's for the song "My Lucky Day" from my Snow Day! album. The song was co-written with children's artist Eric Ode.

Please add your comments and if you liked it enough to rate it 5 stars, let me know and I'll send you a link for a free MP3 download of the song. Here's the link to the YouTube page where you can comment or rate the video, or you can just watch it below...



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Coming up, I'll be doing features on Mr. Richard, Ira Marlowe, Dog on Fleas, Johnette Downing, Debi Derryberry and a few other things that have come in recently. I'm having trouble keeping up with everything, though, so I can't promise when those things will be covered.

I'm actually thinking of closing the submissions for a while... especially as I'll be on the road for about 4 months straight starting the end of March and won't be able to get anything that comes in the mail, anyway. I'll still be keeping up on what's coming out in the kids' music world through Zooglobble and CDBaby and elsewhere, and if there's something I'm interested in hearing more of, I may request a promo copy to be sent wherever I am. But as of March, I don't want any new CDs sent when there's no chance I'll get to hear them for several months, and as I'll have enough of a backlog to get caught up on in the meantime. I'll make a post about that and change the "Submissions" page when the time comes... As for now, though, please feel free to keep sending new releases and I'll look forward to checking them out on the road this spring and summer.

Gustafer Yellowgold

For a long time, my appreciation for Gustafer Yellowgold hadn't really been sparked, in the same sense as I described for Frances England's music... I had read a lot of glowing accolades but had only heard a few brief samples, and thought, "It sounds okay..." But I hadn't been blown away enough to get really excited about it. In the case of Frances England, it just took one listen through the actual album, beyond just brief samples, to have her infectious and brilliant songs imprinted on me. With Gustafer Yellowgold, all it took was a viewing of one of his DVDs. To use terms usually reserved for the world of magic and sorcery, I was utterly enchanted, spellbound, mesmerized and charmed.

Gustafer Yellowgold is the cute cartoon creation of singer/songwriter Morgan Taylor, who writes and records Gustafer's musical musings and also illustrates and provides the storyboard direction for the DVD animations. There are two Gustafer DVDs, Wide Wild World and Have You Never Been Yellow? (for which he gets a half point off for parodying the title of an Olivia Newton-John album). Gustafer comes from the sun, as the introduction song ("Cooler World") on both DVDs describes, and has traveled to Minnesota, where things are apparently quite different than on the sun (he was aiming for somewhere a little colder). The songs and videos, full of wit and whimsy, relate Gustafer's experiences and wonderment with various things he discovers in his new Earth life, and so we share the same wonderment through the simple but clever animations and generally mellow but engaging songs. The subjects can be a rather odd assortment, including pinecones, mustard slugs, eels, cake, cheese and beards, and there isn't really any narrative or theme connecting everything, other than Gustafer observing and commenting on his new world. But every song/video is its own little amusement, and they each work terrifically in that sense.

In terms of influences for the general idea and animation style of Gustafer, one might guess that Morgan Taylor has probably watched Harry Nilsson's classic animated story, The Point, once or twice (or fifty times). In that story, a round-headed boy named Oblio finds himself in a world where every other creature and object must have a point (literally, as in a pointy head or a particularly pointy nose). Being that Gustafer is the odd one on Earth, I imagine that Gustafer's rather pointy head might be an homage to that show. Regardless, Gustafer is very much an original and the combination of classic storybook illustration and animation almost has more of the feel of Ken Burns' pan-and-scan documentaries, with objects gently and creatively moving around each other. This is clearly 2D animation, but there is very nice use of object layering and every animation choice is used to great effect.

Musically speaking, the Gustafer songs seem to be happily ensconced in 60's/70's acoustic melancholy, hearkening to Harry Nilsson, James Taylor (presumably no relation) and The Beatles circa The White Album and Yellow Submarine. While the production and sound is clearly from that era, the songs themselves are true originals, with hooks and chord turns that aren't overt, but reach out and tickle you enough to keep your interest throughout. Morgan's voice is often double-tracked into a sweet syrup, and his delivery and tone is akin to both Neil Young's plaintive acoustic singing and Billy Corgan's whispery breathings. Personal taste leans my ears toward the former, and not so much the latter, so I prefer the Gustafer songs (or parts of songs) where Morgan sings out fully, like on the transcendent anthem, "Pinecone Lovely" (video below). But regardless, Morgan has a beautiful sense of contrast between the different songs and song sections, in terms of varying his vocal delivery to fit the needs of the moment.

Would the songs alone stand up, without having ever seen the animations? For adults, yes, but I don't think they would work as well for kids without having any connection at all to the imagery. But the Gustafer package is clearly meant to be a fusion of songs and images (and his live shows always feature the animations on a video screen), and kids and adults alike can certainly appreciate the combination as intended, in a very big way. Stephen Sondheim is often criticized for not having any "take home" songs from his musicals ("Send in the Clowns" being the notable exception), but his songs are meant to work perfectly within the context of their shows. That is their primary working environment. I think the same can be said for the Gustafer songs working best along with the environment of their video accompaniment. However, having seen the video several times, kids will definitely have a big attachment to the songs and can thereafter enjoy them strictly from the CDs (which are included with the DVDs).

The Gustafer DVDs have been big hits for my girls, who request them often along with their other video favorites like the Pixar movies and The Wiggles. My 5 year-old, Becca, has even given Gustafer the rare honor of a space in her dreams. Every night, as part of their bedtime routine, our girls like us to ask them what they're going to dream about. (Apparently, they're really into "directed dreaming".) Well, there have been a few nights recently where Becca specified "Gustafer" as her dream choice. A budding artist and animator, herself, she has also stated that she wished she had created Gustafer (heheh... Me, too!).

In addition to the Gustafer videos and music, Morgan Taylor also provided a few songs for a nice compilation of children's music by the ArtsCetera organization, called Sing, Shout & Clap. Click here for song samples and to order the CD.

Gustafer Yellowgold website

"Your Eel" from Wide Wild World -


"Birds" from Have You Never Been Mellow? -


"Pinecone Lovely" from Have You Never Been Mellow? -

A video by Becca

My daughter, Becca, has always been very artistically inclined, and recently she has wanted to learn about doing animation like she sees on her favorite TV shows and movies. We found a cool program called Flip Boom that is meant for kids to easily create simple animations. She took to that program in a big way and when we asked if she might like to do a music video for Daddy she was very excited and went right to work.

So anyway, here is a video for "Dance Like an Animal", with animations by Becca. She had a little bit of help and direction from her Mommy (who also did the disco background and put everything together with me in the video editing program), but by and large, this is Becca's work. Give her another year or two and she might be working for Pixar. :o)



Speaking of kids' music animations, coming up soon I'll be featuring one of Becca's favorite animation influences... Gustafer Yellowgold.

The Wiggles: Getting Strong and Wiggly Wiggly World

If you've followed this blog at all, you'll know that I am an unabashed fan of The Wiggles. Musically speaking, I think they're terrific, with many great songs that introduce young kids to a variety of music styles. Say what you will about them otherwise, but they can really deliver the goods when it comes to their songs being memorable and fun for younger children, and I believe that they have rightfully achieved their enormous success as children's entertainers.

The Wiggles have always primarily been a visual band, what with the colored shirt thing and all, and so they have usually emphasized video releases over CD releases. Their latest is a DVD called Getting Strong, which is unique in two ways; it is the first from a planned Wiggle and Learn series that has a particularly educational focus, and it is also the first with the new yellow Wiggle, Sam.

I'm not going to speak too much about the video's merits... I want to focus on the music... but it definitely has the best production values of any Wiggles video I've seen. Top notch effects and sets and it looks really sharp, which hasn't always been the case with other Wiggles videos (not that they've suffered for it, but you kind of expect more from them, considering their success). Some of the between song skits, such as the recurring theme of Captain Feathersword pretending to be among a group of trumpeters or guitarists or ballet dancers are okay and some are a bit tedious. Paul Paddock (Captain F.) has an amazing vocal range and ability to do impressions, but the high-pitched squeals of his guitar impressions (I honestly don't know how he gets up there without helium) can wear a bit on the ears of adults. But that's nothing new for Wiggles videos... their skits and between song interludes have never been the greatest at appealing to adults, no doubt. But little kids laugh at them and enjoy them alright, so that's fine.

Educationally speaking, they are clearly targeting toddlers (their bread and butter audience) with subjects that include exercise and sports ("Getting Strong", "The Sporting Salsa"), comparative use of language ("The Biggest of All") and the five senses ("The Five Sense" and the oddly infectious "Smell Your Way Through the Day"). Perhaps it is the educational theme, but it seems that the songs have much more of a "sing songy" feel to them than previous Wiggles collections. They're not bad, as sing-songy songs go, but a lot of my favorite Wiggles songs have a little bit of rock 'n' roll to them and for the most part, these tunes don't really go there. Notable exceptions include the great title track, which is reminiscent of The Who's "I Can See for Miles and Miles", and "Sporting Salsa", which has a cool sound with a bit of a Miami Sound Machine groove to the chorus. "Smell Your Way Through the Day" has a rock feel to it and is very catchy, but it's also kind of kooky in a way.

So I'm not sure if Getting Strong is likely to convince any of the adults who grumble about the Wiggles to realize that they do have a lot of great music (see my review below about Wiggly Wiggly World for an example of that), but it's a solid collection for the kids and answers any doubts as to whether Sam could make a good replacement for the ailing Greg. Greg always had a really smooth and unique vocal delivery, and thankfully Sam doesn't try to emulate that, but offers his own voice, which is more polished and even somewhat operatic at times, but is still a really good fit for the group's music.

The Wiggles website

Watch the "Getting Strong" video

The "Frog Went a Walking" video can be seen here, temporarily, at least.


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Wiggly Wiggly World

In my original feature on The Wiggles, I said how their various video collections were kind of hit-and-miss for me. They've put out quite a few by now, and so as we've borrowed different ones from the library, we've seen some that were top notch and had a lot of great songs and others that seemed kind of thrown together. Until this past summer, we had only owned two Wiggles videos that we particularly liked, but I gave Wiggly Wiggly World a blind chance when I saw it at a library sale for a few bucks. I'm glad I did, because I think it's a terrific collection of songs, and it's particularly nice if you don't like the aforementioned skits and interludes, because they go right from one song to another, only stopping briefly to introduce a guest performer to set up the next song. And though The Wiggles can hold their own, musically, and in terms of songwriting, as evidenced by the hooks on songs like "In the Wiggles World" and "In the Big Red Car We Like to Ride", the guest performers really add a lot to this particular video.

Opera singer Kamahl performs on "Sing With Me", and it's amusing to hear his thick, profundo voice singing lines that include "Dorothy the Dinosaur", but it's quite a beautiful song, regardless. In terms of catchy pop-rock melodies and hooks, you can't beat The Wiggles' version of "Six Months in a Leaky Boat" by Tim Finn of Crowded House and Split Enz. And the gorgeous ballad "Taba Naba", performed by Greg and Christine Anu, is particularly stunning, and I love to hear my 2 year-old, Evee, attempting to sing that one. It's all in the language of the Torres Strait Islanders, and here are the real words: "Taba naba, naba norem, tugi penai siri, dinghy e naba we". As you can imagine, it comes out quite different when Evee sings it! There's also Rolf Harris playing the wobbleboard along with his classic "Tie Me Kangaroo Down, Sport" and Australian country star Slim Dusty joining in for "I Love to Have a Dance with Dorothy".

Other highlights on the video include "Another Cuppa", which has one of the best uses of counterpoint I've heard outside of musical theater, the folky "One Little Coyote", with it's cute backing vocals ("come home shooooon"), and the pretty Japanese ballad "Haru Ga Kita", sung with Atsuko Arai. All together, Wiggly Wiggly World is quite a smorgasbord of multi-cultural music, but it all sounds great with The Wiggles renditions and arrangements.

Listen to samples from Wiggly Wiggly World

Sugar Free Allstars

The organ is an instrument that can run the gamut from sounding really cool (think Booker T or Greg Allman or Ray Charles) to sounding really cheesy (think soap opera music or anything played on a cheap Casio). I suppose most instruments can be cool or cheesy, depending on how they're played or what kind of music they're played with, but it's much harder to not look cool, at least, when playing something like an electric guitar or a saxophone. Then again, some musicians like Ray Manzarek could make even the cheesiest sounding soap opera organ be cool in its context on the Doors' records. Weighing in on the very cool end of organ playing is Chris Wiser, one half of the duo that comprises the Sugar Free Allstars, who have released their first kids' album, Dos Niños.

It's an unusual mix, to be sure, with the core sound consisting of organ, another organ, bass and drums (by Rob "Dr. Rock" Martin). I'm not sure how they pull it off... I'm pretty sure from the picture that Wiser only has two hands, though he might have a couple of mutant arms hidden around his back... but it sounds fantastic, regardless.

It's a short album, with only eight songs, but they're all good to great tracks and show off a surprising variety and a lot of musical depth. "Bathtub Boy" starts things off with a discordant organ chord that is offset nicely by a very active vocal melody and some cute lyric lines like, "I'd rather soak in the tub 'til my skins gets so pruney, and all of my friends, thinkin' that I'm loony". "He's Okay (The Spider Song)" has a very Doorsy riff in the verses and then has a Soundgarden/Nirvana chorus. It's cool to hear that kind of thing done so well with organ as opposed to the usual grungy guitar. There's also a fun envelope filter solo that evokes images of a spider slinking along a wall.

Next up is "Poppy and MeeMaw", which has a funky Allman Brothers meets Sly and the Family Stone groove and a very catchy chorus, a la Anthony Keidis, where Wiser rhymes "MeeMaw" and "seesaw" with what else, but "Hee-Haw". "Petting Zoo" has that Supertrampy (er, maybe "Supertramp-esque" would be better) Wurlizter electric organ sound (also think of "My Best Friend" by Queen) and accordingly continues with a thick 70's feel throughout, complete with a cheesy jazz chord ending. The tune has a great transition between the verses and choruses and like the other tracks is very memorable.

"P. Kitty" (live video below) is a super funky tune which would probably be at home on a Chili Peppers or Funkadelic record (who says funk bands can't play children's music?). Again, some of the organ chords are of a weirdly dissonant variety, so the music might sound a little strange on its own, but the vocal line is greatly accessible and it all works very well together. "Banana Pudding" is practically a Deep Purple style parody, with Dr. Rock dispensing some funky drum medicine and Wiser rockin' on the thick Hammond.

"Stinky" is a one-word instrumental that isn't nearly as memorable or fun sounding as something like "Tequila", but the word choice of "stinky" is the perfect choice for a kids thing (and, of course, a whole lot better than "tequila"). The CD ends with the track, "Buck Up, Little Camper", which is a marked departure from the rest of the album into Monty Python territory, a la "The Universe Song" or "Always Look on the Bright Side of Life". It's obviously campy and tongue-in-cheek with its "don't sweat the small stuff" message, and I'm guessing that the cruel irony for the band is that this is probably one of the most popular songs with kids and parents, because of its simple, cheery message. The folky piano style melds into a big band ending, where Wiser does a Louis Armstrong impression, which ends up sounding more like an impression of Bill Cosby doing an impression of Louis Armstrong. Fun stuff.

A quick side note about the album cover, which is strange and disturbing... the kind of thing that you wouldn't want to get in the mail unless you knew all of your kids were home and accounted for, and even then, you'd probably want to notify the police and have them dust the envelope for prints. I don't quite know what to make of it, but whatever...

All in all, this is an awesome album, though I suspect it may have some of the same effect as The Sippy Cups' Electric Storyland, where it's really great for adults but not necessarily quite as great for kids, depending on the kid. My kids' musician blogging friend Yosi mentioned on his blog about how he tried to get his kids to love this album but they just said, "It's weird." He felt like they really should like it and that he should maybe even try to force them to like it, as if it is akin to the cod liver oil your mother used to give you when you were sick (well, maybe your mother did, but thankfully mine didn't)... You don't want to take it, but it's good for you, so just swallow it, already!

I think that's a faulty premise, because although we can certainly try to encourage an appreciation for music to our kids, I don't think we can ever really instill an appreciation for particular music to them. And even if they grow to appreciate a certain kind of music, that doesn't necessarily mean they'll ever really love it. For example, I had no interest in my father's kind of music (big band, Sinatra, etc.) when I was growing up, and though I can appreciate it now and enjoy a lot of those classic tunes, it's still not what I would remotely consider my favorite kind of music. People like what they like, and though some of the uber-hipster parents may groan at the oh so horrible taste of three year-old kids, I suspect that many of them would still choose things like The Wiggles or Barney over The Sippy Cups and Sugar Free All Stars in a blind taste test. It's just a matter of kids' sensibilities.

That being said, my girls like this album okay, and dance around a little bit when it's on, but we do have to encourage them to do so and they're not listening closely, so we have to explain how it's a funny song about a kid who takes baths, or about a petting zoo, etc. There's not an automatic or instinctive feeling that it's meant for them when they hear the music, which I think is much more of the case with artists like Ralph's World and Gwendolyn and the Good Time Gang. And if I had to put my finger on one thing that might help or hurt when trying to achieve that, it would be how prominent the vocals are in the mix. They seem to be mixed a bit low on this album and Wiser's vocal melodies are often very active, so if a kid can't understand the words well enough to tell that a song is talking about something they might care about, then they're probably not as likely to have a really big connection with it.

But even if your kids might think that this album is weird, it's a really cool album, regardless, and it would certainly be worth trying out on them. If they don't like it now, wait a year or two and maybe they'll enjoy it then. And like Electric Storyland, even though I can't share it quite as well with my kids as some other CDs, Dos Niños has definitely gone into my list of personal favorites.

Sugar Free All Stars website